The Latest Headlines ... April
2001
Faulkner Conference to examine
"Faulkner and War"
Note: The following article by Dr. Donald Kartiganer originally
appeared in The Southern
Register, a newsletter produced by the
Center for the Study of Southern Culture at the University of Mississippi.
There were
three wars at work in the mind of William Faulkner: the American Civil
War, World War I, and World War II. He did not fight in any of them
although for years he passed himself off as a veteran RAF fighter pilot in
World War I and yet they are all there, in novels, short stories, essays,
and letters. The aim of "Faulkner and War" (July 22-27, 2001) is
to explore the role that war played in the life and work of a writer whose
career seems forever poised against a backdrop of wars going on or
recently ended or in the volatile years between — or, perhaps most
significant of all, the backdrop of that war that ended thirty-two years
before he was born.
Three
scholars appearing at the conference for the first time will be John
Limon, of Williams College; John Lowe, of Louisiana State University; and
Nicole Moulinoux, of the University of Rennes. Professor Limon,
author of Writing After War: American War Fiction from Realism to
Postmodernism and Stand-Up Comedy in Theory, Or, Abjection in
America,
will discuss Faulkner’s attempt to show how much of the sense of reality
that the Great War produced could be rendered in fiction without explicit
reference to it, as, for example, in one novel seemingly remote from the
war, As I Lay Dying. Professor Lowe, author of Jump at the Sun: Zora
Neale Hurston's Cosmic Comedy and coeditor of The Future of Southern
Letters, focuses on biographical and textual fraternal rivalry in
Faulkner as a metaphor for war, history, and American finance capitalism.
Professor Moulinoux is Founder and President of the William Faulkner
Foundation, France, inaugurated in 1994. She is editor-in-chief of
three volumes of Faulkner criticism, has done translations of Faulkner,
Henry
James, and the poet Yusef Komunyakaa, and written a number of critical
essays on Faulkner.
In addition
to the formal lectures, The Rivendell Theatre Ensemble of Chicago will
present a play, Faulkner’s Bicycle. Praised by the Chicago
Sun-Times as "one of those small, perfect pieces of stage magic that
typify the glories of Chicago theater," the play concerns a fictional
family in Oxford in 1962, which finds itself intimately involved with the
famous writer a few months before his death.
Returning to
the conference will be Don Doyle, of Vanderbilt University, author of New
Men, New Cities, New South: Atlanta, Nashville, Charleston, Mobile,
1860-1910 and, most recently, Faulkner’s County: The Historical
Roots of Yoknapatawpha, 1540-1962, who will be discussing the Civil War in
terms of how it was experienced in Lafayette County, whose history plays
such a large role in Faulkner’s apocryphal Yoknapatawpha. Löthar
Honnighausen, Director of the North American Program of the University of
Bonn and author of William Faulkner: The Art of Stylization and William
Faulkner: Masks and Metaphors, will take up the question of Faulkner’s
evolving ideological attitudes
toward war in Soldiers' Pay, A Fable, and The Mansion.
David Madden,
of Louisiana State University, author of over a dozen works of fiction and
criticism, including The Suicide's Wife, and Founding Director of the
United States Civil War
Center, will address Absalom, Absalom! as a Civil War novel, "even
though," as he writes, "it is more alluded to than dramatized,
but life in the South led up to it, was profoundly traumatized by it and,
more emphatically, by Reconstruction, and
it permeated in myriad ways Faulkner-Quentin's life."
Also
returning to the conference will be Noel Polk, of the University of
Southern Mississippi, author or editor of over a dozen volumes, including
most recently Outside the Southern
Myth, Children of the Dark House, and
Reading Faulkner: The Sound and the Fury, who will speak on A
Fable; and James Watson, University of Tulsa, author or editor of four
volumes on Faulkner, including most recently William Faulkner, Self
Presentation and Performance.
Other program
events will include discussions by Faulkner friends and family; sessions
on "Teaching Faulkner" directed by James Carothers, University
of Kansas, Robert Hamblin, Southeast Missouri State University, Arlie
Herron, University of Tennessee at Chattanooga, and Charles Peek,
University of Nebraska at Kearney; guided tours of North Mississippi; and
an exhibition of Faulkner books, manuscripts, photographs, and memorabilia
at the University's John Davis Williams Library.
The
Conference will begin on Sunday, July 22, with an exhibition of
photographs at the University Museums entitled "River Walk," as
well as two exhibits from the Museums collection relating to the theme of
the conference, one of Civil War memorabilia and the other of World War I
posters. This will be followed by an afternoon program of dramatic
readings from Faulkner and the announcement of the winners of the 12th
Faux Faulkner Contest. Other events will include a Sunday buffet
supper served at the home of Dr. and Mrs. M.B. Howorth Jr., "Faulkner
on the Fringe" — an "open-mike" evening at the Southside
Gallery — a picnic served at Faulkner’s home, Rowan Oak, on Wednesday, and
a closing party Friday afternoon at the Gary home, in which Faulkner lived
when he and his family moved to Oxford in 1902.
For more
information about the conference contact the Institute for Continuing
Studies, P.O. Box 879, The University of Mississippi, University, MS
38677-1848; telephone 662-915-7282; fax 662-915-5138, e-mail cstudies@olemiss.edu.
Information on the conference as well as a printable registration form is
also available online at the conference
web site.
Donald M. Kartiganer
William Howry Professor of Faulkner Studies
Director of Faulkner and Yoknapatawpha Licensing
rights inquiries should be directed to exclusive representative of
Faulkner’s literary estate
For
anyone who wishes to license a Faulkner work for a stage or screen adaptation, or
wishes to use Faulkner’s works for any other commercial endeavor, you should
direct your inquiries to Lee Caplin, who has been commissioned by the Faulkner
family to serve as the exclusive representative for the literary estate of
William Faulkner. Anyone seeking licensing rights for Faulkner’s works should
email Mr. Caplin at starium@pacbell.net.
Berner
Books Faulkner catalog available online
Seth Berner, owner of Seth Berner Books in Maine and a perennial presence at Faulkner
& Yoknapatawpha conferences in the past, has announced he won't be able to attend
this year. He has, however, put his catalog of rare and hard-to-find Faulkner
materials online. Ranging from books to periodicals to Faulkner miscellany
(screenplays, movie posters, etc.), and even to Southern materials not directly
related to Faulkner, Berner's collection includes a diversity of items
that should interest collectors of Faulkner memorabilia.
Browse through the
catalog at home.maine.rr.com/sberner/catalog.html,
or email Berner at sberner@maine.rr.com.
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CONTENTS
View the most recent announcements on the main
page. Past announcements also are available.
Check The Carriage House for other
Faulkner web sites and other sites of interest from around the world. If
you know of any Faulkner-related news item, please let
me know.
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New Coen Brothers film set in Mississippi alludes to
Faulkner
Remaining
true to a form they've established in other films, O Brother, Where Art
Thou, the latest motion picture by Joel and Ethan Coen, features
several sly allusions to William Faulkner. Not least of these is the fact
of the film's setting: rural Mississippi, circa 1937. "Based,"
as an opening credit prominently announces, on Homer's The Odyssey, the
film follows the madcap journey of three fugitives from a Mississippi
chain gang led by Everett Ulysses McGill (played by George Clooney). Along
the way, they encounter a number of mythological beings, including a blind
soothsayer, a Cyclops, and three Sirens by a riverside. Other
prominent allusions in the film are in the form of characters Tommy
Johnson (patterned after the great Delta blues musician Robert Johnson)
who gained his talent by selling his soul to the devil, and notorious bank
robber George "Baby Face" Nelson. The film often recalls the
spirit of Flannery O'Connor, not only in its comic grotesquerie throughout
but also in the specific machinations of a less-than-gracious traveling
Bible salesman (played by John Goodman). The
most overt Faulkner reference in the film is the character Vernon T.
Waldrip, who in the film is to marry Penelope (Holly Hunter), Everett's
wife. In Faulkner’s fiction, Vernon Waldrip appears in the "Old
Man" section of If I Forget Thee, Jerusalem as the man who
married the Convict's former sweetheart.
There are
other reverberations from "Old Man" as well in the film,
including the convicts themselves, the cotton house (on which the convicts
in the film are told they will see a cow), and a flooding river.
Then too, of
course, is the Depression-era Mississippi itself, a landscape continually
portrayed in the film — thanks to digital retouching during
post-production — in amber hues, as if it were a golden memory ... or a
fading photograph. Faulkner
references in earlier Coen brothers' films include characters named
"Mink" (Miller's Crossing, 1990), "Snopes" (the
escaped convicts in Raising
Arizona, 1987) and especially, the Bill Mayhew character in Barton Fink.
Mayhew was a Southern novelist working as a screenwriter in Hollywood and
carrying on an affair with his secretary. The role was played by John
Mahoney, who bears a striking resemblance to Faulkner.
Selected Reviews:
-
"O
Brother, Where Art Thou?" Internet Movie Database
-
"'O
Brother, Where Art Thou?': Hail, Ulysses, Escaped Convict,"
by A. O. Scott
New York Times (22 December 2000)
-
"O
Brother, Where Art Thou?," by Charles Taylor
Salon.com (22 December 2000)
-
"O
Brother, Where Art Thou?," by Roger Ebert
Chicago Sun Times (29 December 2000)
-
"O
Brother
is classic Coen brothers," by Gary Susman
The Boston Phoenix (28 December 2000-4 January 2001)
Alert
to instructors: Faulkner
essays for sale online
Teachers of
Faulkner at all levels should be aware of a web site that purports to
"help" students of Faulkner by way of "example."
The site, www.william-faulkner.com,
bills itself as (sic) "THE ultimate source of assistance!"
"The works of William
Faulkner are drenched with the ambiance of the South," reads an
introductory statement on the web site. "No one
reading his works would place him anywhere else; and yet he ably conveys
the fact that there is not merely one Southern culture, but many, all of
which are woven together to produce the rich and distinctive tapestry that
is Southern life.
"But just as William Faulkner’s "A Rose For
Emily" has touched the hearts of so many, it has also confused the
intellect of students everywhere. William-Faulkner.Com seeks to end
the academic frustration felt by those same students through the provision
of examples of critical essays and papers on all of Faulkner’s classics."
Though the
web site's producers proclaim it their "philosophy" that
"students learn best by way of example" (emphasis
theirs), the site appears to be nothing more than a term paper mill,
selling papers on a number of pre-written topics on Faulkner and even
allowing students to order papers written especially for their given
assignments. As the introductory message on the web site states, it
"provides dozens of tutorial essays to spark ideas and to provide a
source of citable information to students struggling to find information
and/or a sense of motivation to write about this classic American author."
At the
moment, more than 70 Faulkner-related essays are listed for sale on the
site, at a cost of $9.85 per page (plus a "free" works cited
page). A sample of topics and their page length are as follows:
-
Compare/Contrast
Style And Tone In William Faulkner’s
'Barn Burning' And Flannery O'Connor's 'A Good Man Is Hard To Find' (5
pages)
-
The
Use Of Place, Atmosphere And Mood In William
Faulkner’s 'Barn Burning' And D.H.
Lawrence's 'The Horse Dealer's Daughter' (5 pages)
-
William
Faulkner’s 'Barn Burning' / Point-Of-View
(5 pages)
-
William
Faulkner’s 'A Rose for Emily' / Comparing
Two Critical Sources (4 pages)
-
William
Faulkner’s 'The Reivers' / Bildungsroman
(5 pages)
-
Behavior
of Middle-or Upper-Class Southern Women Miss Rosa, Mrs. Compson, and
Miss Quentin in William Faulkner’s
"Absalom, Absalom! and "The Sound & the Fury" (5
pages)
-
William
Faulkner’s "A Rose for Emily"/
Treatment Of Women (3 pages)
Instructors
who feel their students may have improperly used this online
"service" may wish to consult the full list of essay topics,
presently located here.
Included with each topic is a brief summary of the essay, and the site
also offers free excerpts available on request. |
Recently Published Books on Faulkner
Click on the ISBN Numbers to purchase these books from
|
Faulkner at 100: Retrospect and Prospect
Edited by Donald M. Kartiganer and Ann J. Abadie.
Proceedings from the 1997 (Centennial) Faulkner and Yoknapatawpha
Conference.
(Jackson: UP of Mississippi, 2000.)
Hardcover, ISBN: 1578062888
Paperback, ISBN: 1578062896
Faulkner on the Color Line: The Later Novels
By Theresa M. Towner.
(Jackson: UP of Mississippi, 2000)
Hardcover, ISBN: 1578062497
Literary Masterpieces: The Sound and
the Fury
By Thomas L. McHaney
(Literary Masterpieces, Vol. 6)
(Detroit: Gale Group, 2000)
Hardcover, ISBN: 0787644722
Faulkner’s County: The Historical Roots of Yoknapatawpha, 1540-1962
By Don Harrison Doyle
Fred W. Morrison Series in Southern Studies
(Chapel Hill: U of North Carolina P, 2001)
Hardcover, ISBN: 0807826154
Paperback, ISBN: 0807849316
A Rose for Emily
Edited by Noel Polk
The Harcourt Brace Casebook Series in Literature
(Fort Worth: Harcourt, 2000)
Paperback, ISBN: 0155074717
Postslavery
Literatures
in the Americas: Family
Portraits
in Black
and White
By George B. Handley
(Charlottesville: UP
of
Virginia, 2000)
Hardcover, ISBN: 0813919762
Paperback, ISBN: 0813919770
The
Modern Androgyne Imagination: A Failed Sublime
By Lisa Rado
(Charlottesville: UP of Virginia, 2000)
Hardcover, ISBN: 0813919797
Paperback, ISBN: 0813919800
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Obscurity's Myriad Components: The
Theory and Practice of William Faulkner (forthcoming)
By R. Rio-Jelliffe
(Lewisburg, Penn.: Bucknell University Press, 2001)
Hardcover, ISBN: 0838754627
Faulkner’s Questioning Narratives: The Fiction of His Major
Phase, 1929-42 (forthcoming)
By David L. Minter
(Urbana: U of Illinois P, 2001)
Hardcover, ISBN: 0252026640
William Faulkner: The Sound and the Fury and As I Lay Dying
Edited by Nicolas Tredell
(Columbia Critical Guides)
(New York: Columbia UP, 2000)
Hardcover, ISBN: 0231121881
Paperback, ISBN: 023112189X
Faulkner and the Modern
Fable
By Kiyoko Toyama
(Lanham, MD: International Scholarship Publications, 2001)
Hardcover, ISBN: 157309417X Teaching
Faulkner: Approaches and Methods
Edited by Stephen Hahn and Robert W. Hamblin
Contributions to the Study of
American Literature No. 9
(Westport, Conn.: Greenwood, 2001.)
Hardcover, ISBN: 0313315906
Struggles
over the Word:
Race
and Religion
in O'Connor, Faulkner, Hurston, and Wright
By Timothy P. Caron
(Macon, Ga.: Mercer
University Press,
2000)
Hardcover, ISBN: 086554669X William
Faulkner A to Z: The Essential Reference to His Life and Work (forthcoming)
By A. Nicholas Fargnoli and Michael Golay
(New York: Checkmark Books,
2001.)
Hardcover, ISBN: 0816038600
Paperback, ISBN: 0816041598
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Faulkner on the Internet
Selected
Sites of Interest |
"Traditional
and Modern Values in the Works of William Faulkner," by Anna
Carnick. Copyright (c) 1997, Brighton High
School English Department
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"William
Faulkner (1897-1962)." From the Instructor's Guide for The
Heath Anthology of American Literature (3rd ed.)
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